One of the themes that I find really valuable in this collection of essays is poking at the question of whether and why it is important to find connections between historic modes of sexuality and the modes familiar to modern producers and consumers of historic research and theory. Given how prominent and foundational Lillian Faderman has been in the field of lesbian history, I always feel a bit guilty when I describe my winces at certain of her approaches, though in this essay I think she addresses the underlying premises of those winces fairly directly.