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donna con donna

(Italian?) Literally “woman with woman.” Used by the 16th c French writer Brantôme for sex between women, but also more generally. Something of a polite euphemism.

LHMP entry

The identification of forbidden female homoerotic activity in early modern Spain is hampered by the deliberately vague language with which it is identified. When a “miraculous” crucifix supposedly tattled on two trysting nuns in the early 17th century, the phrase put into its voice was simply that the two were “offending me.” Similarly, in 1603 when Inés de Santa Cruz and Catalina Ledesma were arrested for female sodomy in Salamanca, the accusations came in descriptions of the sounds of passion heard through a wall and not a declaration of specific acts.

This is a sourcebook of excerpts (in translation) from historic documents relating to France during the 16-18th centuries that relate in some way to same-sex relationships. The documents cover court records, personal correspondence, religious commentary, medical opinion, satire, and political polemic. While most items take an external point of view, some are (or purport to be) from the point of view of homosexuals themselves.

The introduction begins with a contradiction that inspires the book’s title. In twenty years of correspondence between Queen Anne and Sarah Churchill, the Duchess of Marlborough (who were famous for their close and loving friendship), the two closed letters with phrases in which the words “passionate” or “passionately” figured prominently. And yet a comment by Sarah regarding a somewhat scandalous pamphlet described it as including “stuff not fit to be mentioned of passions between women”. Did the word “passion” have distinct and separate meanings in these two contexts?

Renaissance philosophy tackled the question of friendship: who is an appropriate friend, what behavior should a friend exhibit, what is the relationship between the love of friends and sexual desire? Given the times, the majority of texts addressing this topic were concerned with friendships between men, though a nod was often given to Sappho as a proponent of female friendships, or to the possibility of “Platonic love” between women, which is given explicit license in the Symposium as well as by Renaissance writers commenting on it, as Agnolo Firenzuola did.

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