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sex between women

 

This tag is used for any general discussion of erotic physical activity between women or one where more specific terms are not mentioned.

LHMP entry

In 1599 in Mexico City, a 54 year old Dominican “beata” concluded her confession to the Inquisition by indicating she had nothing more to say “even though she might have more sins than the queen of England”.

Two figures provide a lens for the complexity of British systems of gender and sexuality in the mid 18th century: John Cleland (most famous for his novel Fanny Hill, or The Memoirs of a Woman of Pleasure) and Mary Wortley Montagu (poet and correspondent, most commonly mentioned in the LHMP for her descriptions of life in Ottoman Turkey as the wife of the British ambassador there).

The general topic of this article is the ways in which women who had sex with women in 17-18th century Britain were marginalized from the category of “women” via the imagined figure of the hermaphrodite, combining in the image of the tribade who was endowed with a penis-equivalent, either in the form of an enlarged clitoris or sometimes a prolapsed vagina capable of performing penetration. This article traces that image through various genres of literature, both popular and professional.

There are two passages in this book that are relevant to themes in the LHMP: the first concerning sex between women and the second concerning cross-dressing, including a same-sex encounter. The section also includes a 19th century reproduction of a woodcut from a 17th century broadside ballad showing two women together in bed, embracing.

Pierre de Bourdeille, seigneur de Brantôme (commonly referred to as “Brantôme”) was a French writer of the 16th century. He was a soldier and courier and wrote several volumes of memoirs and biography, but the most well-known (or at least, notorious) section is known as Vies des Dames Galantes (The Lives of Fair and Gallant Ladies) which, contrary to the rather positive title, is a scurrilous gossip-rag focusing on women’s sexual escapades and especially on the topic of wo

The article takes a critical look at the concept of “chastity” as an attribute of the mythical goddess Diana, especially as interpreted in early modern literature and art, and at the depiction of Diana as the focus and leader of a community of women who reject romantic and erotic interactions with men, but engage in those interactions with each other.

[Note: I’d like to remind readers of my convention that my commentary and critique of articles is typically enclosed in square brackets, unless it’s clear enough from context that I’m speaking in my own voice. Otherwise non-bracketed text is meant to be understood as a summary of the article.

Western interpretations of variant sexuality in Middle Eastern societies have often been filtered through stereotypes and Orientalism. There can be a fixation on certain key gender-related social differences, such as the harem and the veil. From an early date, Western commentaries have attributed to Islamic societies the acceptance or promotion of self-indulgence, licentiousness, and sexual deviance--views that often say more about Western attitudes than Islamic ones.

This article examines the context of the phrase “clippyng and kyssyng” that occurrs to describe physical interactions between the female protagonists in the early 16th century English translation of the tale of Yde and Olive (in the Huon of Bordeux cycle). The translation is from an early French text, but this article is specifically concerned with the 16th century English context.

This article takes up the theme of women conceiving under difficult and or impossible conditions, e.g., virgins giving birth, and how the children of these conceptions are marked out as special. This theme appears in the context of multiple cultural traditions, e.g., Ruth and Naomi in the bible, and the mothers of Bhagirtha, who was explicitly engendered by sexual activity between two women with the help of the God of Love.

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